Introduction
W.B. Yeats (1865–1939), a towering figure in 20th-century literature, bridged Romanticism and Modernism while championing Irish cultural revival. His poetry, infused with mysticism, nationalism, and personal passion, explores themes of love, politics, aging, and the occult. A Nobel laureate (1923), Yeats co-founded the Abbey Theatre and crafted a symbolic language that remains foundational to literary studies.
Biography
Early Life & Influences
- Born: June 13, 1865, in Dublin, to John Butler Yeats (artist) and Susan Pollexfen.
- Education: Studied art at Metropolitan School of Art, Dublin; shifted focus to poetry under influences like:
- French Symbolism (via Arthur Symons and Paul Verlaine).
- Irish folklore (Sligo’s landscapes and Celtic myths).
- Theosophy and occult (Madame Blavatsky, Hermetic Order of the Golden Dawn).
Key Relationships
- Maud Gonne: Unrequited love inspired poems like "No Second Troy" and "Easter 1916".
- Lady Gregory: Collaborator at Coole Park; co-founded the Abbey Theatre (1904).
- Georgie Hyde Lees: Wife (m. 1917); their automatic writing sessions shaped A Vision (1925).
Later Years & Legacy
- Nobel Prize (1923) for "inspired poetry... expressing the spirit of a whole nation."
- Senator of the Irish Free State (1922–1928).
- Died: January 28, 1939, in France; buried in Drumcliff, Sligo.
Literary Style & Themes
Phases of Yeats’s Poetry
1. Romantic/Celtic Twilight (1886–1899):
- The Wanderings of Oisin (1889), The Wind Among the Reeds (1899).
- Themes: Irish mythology, escapism ("The Lake Isle of Innisfree").
2. Transitional (1900–1918):
- Responsibilities (1914).
- Themes: Political disillusionment ("September 1913"), unrequited love.
3. Modernist (1919–1939):
- The Tower (1928), The Winding Stair (1933).
- Themes: Aging ("Sailing to Byzantium"), cyclical history ("The Second Coming").
Signature Techniques
- Symbolism:
- Inherent symbols (universal: gyres, Byzantium).
- Arbitrary symbols (personal: Maud Gonne as Helen of Troy).
- Mythic Allusion: Celtic heroes, Greek myths, Christian imagery.
- Musicality: Rhyme, alliteration ("bee-loud glade").
Major Works & Analysis
Prose & Drama
- The Celtic Twilight (1893): Folklore essays.
- A Vision (1925): Esoteric philosophy of history.
- Abbey Theatre Plays (e.g., The Countess Cathleen).
Themes Explored
- Irish Identity: Revival of Celtic myths, critique of politics ("Easter 1916").
- Love & Longing: Maud Gonne’s influence ("No Second Troy").
- Aging & Immortality: "Among School Children," "Byzantium" poems.
- Occult & Mysticism: Gyres, Spiritus Mundi ("The Second Coming").
Key Facts
- Influences: Blake, Shelley, French Symbolists, Irish folklore.
- Contemporaries: Ezra Pound, T.S. Eliot, Rabindranath Tagore.
- Legacy: Pioneered modernist poetry; inspired Auden, Heaney.
Quotations
"Turning and turning in the widening gyre / The falcon cannot hear the falconer." — "The Second Coming"
"I will arise and go now, and go to Innisfree." — "The Lake Isle of Innisfree"
Conclusion
Yeats’s work is a tapestry of personal passion and universal themes, woven with symbols that challenge and enchant. His exploration of Ireland’s soul, human mortality, and artistic transcendence cements his place as a literary titan.
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